What The Revival of the Buzz Cut Means

Goodbye, binary beauty standards.

The day that British model Ruth Bell shaved her hair for Alexander McQueen, her agent came over and wept. Bell herself laughed, as her blonde waist-length locks fell to the floor. Sharing her experience with Elle, she said thatit was more emotional for the people around me. But I didn't care. I was like, 'Let's do this.'” When a woman cuts her hair, why is there always such a knee-jerking emotional reaction? Could the sudden resurgence of the buzz cut on it-models, like Ruth Bell and Kris Gottschalk, be a telling sign that as women, we are finally reclaiming our aesthetic autonomy?

Historically, long luscious locks have been associated with femininity. From renaissance paintings like Sandro Botticelli’s depiction of the Birth of Venus, where Venus arrived by the shore with her long wavy hair, to August Renoir's routine depiction of women with long locks glistening in the sun, the male gaze of prolific artists shows us that for centuries, women with long hair have been the feminine ideal in the West.  


The association of hair and femininity has not changed and even today, we see the emphasis of long hair in feminine beauty. When model and actress Agyness Deyn chopped her hair for a pixie cut, she was often pigeonholed into the androgynous look. It seems that once a woman’s hair is removed, the 'feminine' aspect of her identity becomes removed from the equation, willingly or not. A Reuters study showed that the majority of hetero men prefer women with long hair.  Apparently, the biological imperative to find a healthy, fertile mate may tell us why, at least in men; psychological theories contend that while women look for resource-rich mates, men are chiefly seeking reproductive wellness in theirs


John Berger’s theory on the male gaze argues thatmen look at women, women watch themselves being looked at.” His theory in the BBC television series Ways of Seeing sought to explain how women were depicted in art in favour of the male gaze.  In a more contemporary sense, women are still depicted in a way that caters to masculine preferences; Victoria's Secret models are known for their beachy tresses, and it is no surprise that top models of the moment such as Kendall Jenner and Gigi Hadid have long hair too.

But every now and then, among the sea of long maned models, there are breakthrough anomalies such as Ruth Bell, Kris Gottschalk, Lineisy Montero and Lina Hoss. These models demonstrate a look that is divergent from the male gaze by neglecting to cater to its ideals. If what Berger said was true, then perhaps the reclamation of women’s visual power is through disregarding the beauty standards of the male. Runways showcase these buzz cut models as they are - women - beyond the limited definition of "androgynous." (Gottschalk walked in Givenchy’s SS16 collection in a sexy sheer lace ensemble and Bell opened for Jason Wu in a more traditionally feminine floral number.) 


With such power, there is an apparent shift in fashion to cater to the female gaze, and connect more deeply with the consumers of the womenswear industryThe increasing visibility of a spectrum of self-expression through hair and beauty seems to forecast the inevitable trendiness of the buzz cut (see: Hoss’s i-D cover and Saint Laurent’s Spring 2016 campaign featuring Bell and her bold 'do). Whether most women are gutsy enough to reach for a pair of clippers this season or not, be rest assured that we are making our own decisions from now on.
 
Main Images @ruthnotmay

Gendered beauty standards suck, which is we're all for eliminating the binaries that make people feel insecure.  Unfortunately, Men's Fashion Week also comes with its unique set of prejudices as well - learn more in this revealing essay about the beauty standards imposed upon male models.



ABOUT THE AUTHOR
WHO: Linh Ngo, Junior Fashion Features Contributor
WHERE: Toronto 

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I founded Couturesque Magazine when I was 15 years old because like many of my peers, I felt ignored and talked down to by all of the other teen fashion publications out there. I figured that at the end of the day, the people who knew the most about my generation, were the people who belonged to it. The fashion industry is becoming increasingly dependent on the creativity of younger voices who challenge the status quo and make us rethink what we wear and why we wear it. And that is exactly what Couturesque set out to celebrate - authenticity, intelligence, originality, and diversity... in other words, what makes Gen-Z tick. Fast-forward to 2016 and we now have a staff of more than a dozen fashion distruptors contributing to our daily content from all around the globe, 100K+ readers following us from Toronto to New York, to London, Copenhagen, Berlin, Tokyo, and Tel Aviv, and a plethora of big-wig industry fans and collaborators. But what matters to us the most is the responsibility that our publication has to make a positive impact in the lives of those who come across it - we stand against retouching our photoshoots and we stand for sharing the beautiful, individual, complex voices of everyone, especially those who feel marginalized by mainstream fashion media. We hope that you love our site as much as we do and that you take the time to follow us (Facebook / Twitter / Instagram / Pinterest / Tumblr / Snapchat / YouTube) throughout our journey to make fashion accessible to the powerful young adults of today.

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